9:54 pm - Fri, Jul 25, 2014

Help Edible Schoolyard NYC Build Organic Gardens for East Harlem Schools
We all know how important being around nature is for boosting morale and health, which is why Edible Schoolyard NYC needs your help to bring organic gardens to several disadvantaged schools in Harlem. The nonprofit, which partners with public schools to build gardens and kitchen classrooms, launched “Rooting for Harlem,” a Crowdwise campaign to support the expansion and maintenance of the courtyard gardens at P.S./M.S. 7 and Global Tech Middle School in East Harlem. The campaign ends tonight–so hurry, it’s not too late to pledge your support for this great cause. [x]

Help Edible Schoolyard NYC Build Organic Gardens for East Harlem Schools

We all know how important being around nature is for boosting morale and health, which is why Edible Schoolyard NYC needs your help to bring organic gardens to several disadvantaged schools in Harlem. The nonprofit, which partners with public schools to build gardens and kitchen classrooms, launched “Rooting for Harlem,” a Crowdwise campaign to support the expansion and maintenance of the courtyard gardens at P.S./M.S. 7 and Global Tech Middle School in East Harlem. The campaign ends tonight–so hurry, it’s not too late to pledge your support for this great cause. [x]

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9:48 pm

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9:28 pm
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Mike Tyson Mysteries | San Diego Comic Con 2014 Sneak Peek | Adult Swim [x/v]

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8:56 pm

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9:42 pm - Thu, Jul 24, 2014
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9:15 pm
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The Music Industry Hates Black People
While watching the video for “Hot N****” by  Epic Records’ newest artist Bobby Shmurda, I could hear a voice in my head repeatedly cry out, “the music industry hates Black people.”
Out of countless amazingly talented unsigned artists waiting for their big break, why would a record company sign yet another half-ass artist whose message is all about death, murder, guns, and more death? It couldn’t possibly be about all the money they project making off this Youtube one-hit wonder since the past couple of years have shown us that viral video stars like Trinidad James and Chief Keef don’t necessarily translate to real-world superstardom.
Why would music industry executives who are supposedly astute businessmen invest in the type of artists other labels don’t seem to have been very successful with? While these rappers may achieve short-term popularity, the amount of free mixtapes, guest appearances, and YouTube-to-MP3 music they put out can’t be profitable for the companies.
Why would someone like Bobby Shmurda get a major label deal on the strength of one poorly-produced video?  Is it because Beyonce did the Shmoney Dance (Bobby’s signature move) during one of her shows? Is it because Jay Z shouted out the dance in a freestyle at a concert? Is it because Drake, Meek Mill, Raekwon (WTF Rae?) and Busta Rhymes co-signed Shmurda?
Why would a label invest in a mediocre rapper who may be “hot” for a minute but will undoubtedly fade into oblivion like so many of his forgettable predecessors? Is it because Bobby Shmurda is an underground sensation who kids in NY have been listening to for the past few months so Epic Records jumped on who they felt might be rap’s next flavor-of-the-moment before someone else does?
Or is it simply because the music industry’s agenda to promote death and dysfunction to Black youth is bigger than its desire to make money?
Yes, I’m a conspiracy theorist. I don’t care how many people ridicule me. I don’t care how many “real street cats” call me an out-of-touch Hip Hop purist who doesn’t know what today’s kids are into. I don’t care how many industry execs mock my extreme views and so-called lack of music business knowledge. I don’t care how many idiots call me a race-baiter. I don’t care how many call me a hater for criticizing a kid I don’t personally know without even giving him a chance to shine. I don’t care how many dumb asses try to convince me that if he didn’t get a record deal, he’d be out shooting or robbing folks (that seems to be a popular opinion on the internet right now). I don’t care how many tell me that Hip Hop can’t always be positive or that I need to leave the days of De La Soul and Public Enemy behind. I don’t care how many fools try to sell me on the idea that the labels are just giving the fans the kind of music they want. I don’t care how many of you tell me that a record company’s goal is to make money, not save lives. I don’t care how many major artists co-sign this misled kid. And I don’t care how many of his fans insult me.
Nothing you can say negates the fact that Bobby Shmurda and other similar rappers are promoting the worst kind of images and messages. Nothing you can argue negates the fact that what these labels are marketing is toxic, criminal, and racist. No other form of entertainment, be it pop, rock, country, electronic, video games, movies, or TV, glorifies the blatant death and destruction of Black people while passing it off as entertainment you can do a trendy dance to. Mainstream rap is the only form of entertainment that prides itself on depicting reality yet ends up only promoting the ugliest part of that “reality”, often resulting in real-life drama, murder, arrests, and jail sentences. Why does the music industry keep promoting something that any other industry would consider a poor investment and a huge liability? What kind of business can you think of, beyond the field of entertainment, that would knowingly employ someone who glorifies crime and all other forms of disturbing behavior…unless there was a damn good reason?
So what are the music industry’s reasons? Does it have anything to do with “the commercial rap to prison pipeline“? Is it about selling a lifestyle that will send impressionable youth to the private prisons media conglomerates invest in?
I know most of you hate conspiracy theories and will accuse me of spreading baseless allegations. However, how many of you can provide a perfectly ethical answer as to why promoting Black death has become “business as usual”?  Please don’t tell me that it’s based on the age-old business model of  “supply and demand” when we know that the social and financial cons of signing an artist like Bobby Shmurda outweigh the pros.
However, don’t let the Beyonces and Pharells of the world fool you. These pop artists exist because their mass appeal generates millions for the industry. Their success doesn’t take away from the fact that the worst kind of messages and images are still filtered through many Black artists who, despite never achieving megastar status, become popular enough to have a huge influence on fragile young minds, even if their limited success isn’t profitable for their label. These are the artists in question here.
If it really just came down to the argument that sex and violence in music sells, we’d see it equally produced by all ethnic groups and equally targeting all ethnic groups. However, besides Black people, I can’t think of another group, be it White, Asian, Latino, Christian, Jewish, etc, that the music industry feels as comfortable overtly disparaging without a second thought.
Shame on Sha Money XL, who got Shmurda signed, and shame on L.A. Reid, Epic Records’ CEO, for contributing to the perception of Black people as criminals at a time when so many police officers around the nation already see them as a threat for no other reason than being Black. I’m sure the money and accolades make it all worth it. I can’t help but wonder if L.A. Reid would’ve been as open to Shmurda’s “talent” during his time as a judge on X Factor.
Ultimately, once Bobby Shmurda’s 15 minutes of fame are up, record labels will quickly move on to the next “shoot-em-up rapper” and the industry’s big decision makers (Jimmy Iovine, The Lipmans, Barry Weiss, Doug Morris, etc) who market this poison will continue to remain silent and unseen, just like Klansmen protected by the anonymity of their hooded sheets. In the meantime, the deaf, dumb, and blind co-signers will keep making excuses for an industry that celebrates the death and destruction of Black people.

The Music Industry Hates Black People

While watching the video for “Hot N****” by  Epic Records’ newest artist Bobby Shmurda, I could hear a voice in my head repeatedly cry out, “the music industry hates Black people.”

Out of countless amazingly talented unsigned artists waiting for their big break, why would a record company sign yet another half-ass artist whose message is all about death, murder, guns, and more death? It couldn’t possibly be about all the money they project making off this Youtube one-hit wonder since the past couple of years have shown us that viral video stars like Trinidad James and Chief Keef don’t necessarily translate to real-world superstardom.

Why would music industry executives who are supposedly astute businessmen invest in the type of artists other labels don’t seem to have been very successful with? While these rappers may achieve short-term popularity, the amount of free mixtapes, guest appearances, and YouTube-to-MP3 music they put out can’t be profitable for the companies.

Why would someone like Bobby Shmurda get a major label deal on the strength of one poorly-produced video?  Is it because Beyonce did the Shmoney Dance (Bobby’s signature move) during one of her shows? Is it because Jay Z shouted out the dance in a freestyle at a concert? Is it because Drake, Meek Mill, Raekwon (WTF Rae?) and Busta Rhymes co-signed Shmurda?

Why would a label invest in a mediocre rapper who may be “hot” for a minute but will undoubtedly fade into oblivion like so many of his forgettable predecessors? Is it because Bobby Shmurda is an underground sensation who kids in NY have been listening to for the past few months so Epic Records jumped on who they felt might be rap’s next flavor-of-the-moment before someone else does?

Or is it simply because the music industry’s agenda to promote death and dysfunction to Black youth is bigger than its desire to make money?

Yes, I’m a conspiracy theorist. I don’t care how many people ridicule me. I don’t care how many “real street cats” call me an out-of-touch Hip Hop purist who doesn’t know what today’s kids are into. I don’t care how many industry execs mock my extreme views and so-called lack of music business knowledge. I don’t care how many idiots call me a race-baiter. I don’t care how many call me a hater for criticizing a kid I don’t personally know without even giving him a chance to shine. I don’t care how many dumb asses try to convince me that if he didn’t get a record deal, he’d be out shooting or robbing folks (that seems to be a popular opinion on the internet right now). I don’t care how many tell me that Hip Hop can’t always be positive or that I need to leave the days of De La Soul and Public Enemy behind. I don’t care how many fools try to sell me on the idea that the labels are just giving the fans the kind of music they want. I don’t care how many of you tell me that a record company’s goal is to make money, not save lives. I don’t care how many major artists co-sign this misled kid. And I don’t care how many of his fans insult me.

Nothing you can say negates the fact that Bobby Shmurda and other similar rappers are promoting the worst kind of images and messages. Nothing you can argue negates the fact that what these labels are marketing is toxic, criminal, and racist. No other form of entertainment, be it pop, rock, country, electronic, video games, movies, or TV, glorifies the blatant death and destruction of Black people while passing it off as entertainment you can do a trendy dance to. Mainstream rap is the only form of entertainment that prides itself on depicting reality yet ends up only promoting the ugliest part of that “reality”, often resulting in real-life drama, murder, arrests, and jail sentences. Why does the music industry keep promoting something that any other industry would consider a poor investment and a huge liability? What kind of business can you think of, beyond the field of entertainment, that would knowingly employ someone who glorifies crime and all other forms of disturbing behavior…unless there was a damn good reason?
So what are the music industry’s reasons? Does it have anything to do with “the commercial rap to prison pipeline“? Is it about selling a lifestyle that will send impressionable youth to the private prisons media conglomerates invest in?
I know most of you hate conspiracy theories and will accuse me of spreading baseless allegations. However, how many of you can provide a perfectly ethical answer as to why promoting Black death has become “business as usual”?  Please don’t tell me that it’s based on the age-old business model of  “supply and demand” when we know that the social and financial cons of signing an artist like Bobby Shmurda outweigh the pros.
However, don’t let the Beyonces and Pharells of the world fool you. These pop artists exist because their mass appeal generates millions for the industry. Their success doesn’t take away from the fact that the worst kind of messages and images are still filtered through many Black artists who, despite never achieving megastar status, become popular enough to have a huge influence on fragile young minds, even if their limited success isn’t profitable for their label. These are the artists in question here.

If it really just came down to the argument that sex and violence in music sells, we’d see it equally produced by all ethnic groups and equally targeting all ethnic groups. However, besides Black people, I can’t think of another group, be it White, Asian, Latino, Christian, Jewish, etc, that the music industry feels as comfortable overtly disparaging without a second thought.

Shame on Sha Money XL, who got Shmurda signed, and shame on L.A. Reid, Epic Records’ CEO, for contributing to the perception of Black people as criminals at a time when so many police officers around the nation already see them as a threat for no other reason than being Black. I’m sure the money and accolades make it all worth it. I can’t help but wonder if L.A. Reid would’ve been as open to Shmurda’s “talent” during his time as a judge on X Factor.

Ultimately, once Bobby Shmurda’s 15 minutes of fame are up, record labels will quickly move on to the next “shoot-em-up rapper” and the industry’s big decision makers (Jimmy Iovine, The Lipmans, Barry Weiss, Doug Morris, etc) who market this poison will continue to remain silent and unseen, just like Klansmen protected by the anonymity of their hooded sheets. In the meantime, the deaf, dumb, and blind co-signers will keep making excuses for an industry that celebrates the death and destruction of Black people.

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8:56 pm
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"The naps are dead…" — Chime Edwards

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8:43 pm
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The role of Cleopatra Jones was originally written for [Vonetta] McGee by Max Julien. McGee and Julien were a celebrated couple during the 1970s, and appeared together in Thomasine and Bushrod, a western written by Julien

The role of Cleopatra Jones was originally written for [Vonetta] McGee by Max Julien. McGee and Julien were a celebrated couple during the 1970s, and appeared together in Thomasine and Bushrod, a western written by Julien

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